A Question about Rewriting

Muslim Beauxbatons student by Celeste Doodles. Source: Celeste Doodles Tumblr Page.

This isn’t a post so much as me asking for advice. I hope folks don’t mind.

I recently started rewriting an old story, a story that I started in college (that’s 16-18 for folks outside of the UK) and only finished in 2012 as part of my NaNoWriMo for that November. The rewrite was inspired by the picture, left, on Tumblr of a Muslim Beauxbatons student, by Celeste Doodles. (If you click on the image, it takes you to the page of the original picture). It got me thinking about my FMC in the story and her appearance.

Now, I have thought about rewriting the story in question a few times, mostly through changing the FMC as well as some other characters but none of the angles seemed to work. As I said, when I saw the picture, it got me thinking about the FMC and her appearance in the first instance. I considered giving her a headscarf and then thought, why is she wearing it. The reasoning I have come up with since after talking to others for her headscarf is to do with vanity but I am also considering maybe giving some underlying spiritual reasoning. (She’s not going to be Muslim as she lives in another world to our own).

From this, my mind turned to other aspects of the character in general. That led to me reconsidering other parts of the story and the new set up that I have developing from those decisions makes it fairly far removed from the original story that I had written over the years.

I know changes to characters and the story are normal during the rewriting process but I am wondering how big changes to the story a writer should make from one draft to another? Should they be far-reaching, heavily changing lots of aspects of characters/story all at once or should the changes come slowly and be introduced slowly over a succession of drafts?

Curious to how others view this issue as I am a little intimidate with how big the changes are whilst also being comfortable with it. It’s crazy.

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Chocolate and Fiction

Things happening in my personal life got me thinking about this. Christmas being just around the corner and being almost synonymous with chocolate makes now a good time for me to post about it.

Does chocolate show the light and dark of societal inequality? Source: GoodSearch Images

Food is often read about in books, both to tell the reader more about the characters as well as to fuel the characters. I have been thinking specifically however about chocolate and it has led me to realise the possible symbolism of chocolate in children’s literature (as I could only think of examples from children’s books).

The first story that came to mind was Charlie and the Chocolate Factory, the obvious one. Now, I want to admit I have only seen the original and remake films of the books and have never read the book. Please bare with me! In the classic Roald Dahl story, chocolate, in my mind, represents childhood and wealth. Charlie Bucket is poor. He buys the chocolate car with the little money he has. He is one child among many. In comparison to the other children who are desperate to get a coveted golden ticket to visit the fabled Wonka factory, he merely wishes to eat the chocolate because it is so rare for him to be able to have chocolate.

The same story plays out in the most recent remake film of the story, starring Johnny Depp. This suggests that chocolate is still seen as a luxury item within modern society and possible divides the haves with the have-nots, an issue that has popped a lot as of late in America and here in the UK. This I find quite extraordinary considering that the book was first published in 1964, the original film released in 1971 (starring Gene Wilder) and the remake in 2005.

The inequalities in society that chocolate could represent in fiction then led me to think about the Malory Towers series. I will grant that the books were set in a different time frame but the same themes and ideas are represented. When chocolate is mentioned in the stories, from the first book with Darrell to the last with Felicity, it is bought as a luxury item and by brand name, Cadbury’s. When a scholarship girl or a girl who is at the school thanks to a kindly uncle or other relative sees another buy some chocolate, they are described as staring or being surprised at the ease at which the chocolate is bought.

Specifically in regards to childhood, chocolate and sweets of any kind are talked about much more often in the earlier books of the Harry Potter series. There is an element of wealth involved as Harry buys practically everything off the trolley that the witch brings down the train. In the earlier books, before the stories become very dark, Harry, Ron and Hermione are very young, childlike. There is a certain innocence in the earlier books that’s lost as they grow older and things get darker, particularly after the third book. The third book is about family. Chocolate is also mentioned as a healing substance in Prisoner of Azkaban and I read Goblet of Fire as the story that effectively ends Harry’s childhood specifically.

Perhaps I am reading too much into things but in children’s literature at least, the possible symbolism of chocolate and what it says about our society seems staggering to me. It is especially so, to me at least, that the stories that have stood the test of time (and being remade for a modern audience) still carries the same message that permeates through our society. Have you any examples in other types of literature? Am I reading too much into it or do you think the same? Don’t be afraid to comment below.